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Tự Đức (Hanoi: [tɨ˧˨ ɗɨk̚˧˦], chữ Hán: 嗣 德, lit. ' inheritance of virtues ' , 22 September 1829 – 19 July 1883) (personal name: Nguyễn Phúc Hồng Nhậm , also Nguyễn Phúc Thì ) was the fourth and last pre-colonial emperor of the Nguyễn dynasty of Vietnam ; he ruled from 1847 to 1883.
Emperor Tự Đức (r. 1848–1883) of Vietnam. From 1849 to 1862, during the early years of the Vietnamese emperor Tự Đức (r. 1848–1883) of Vietnam, the most intense, brutal and bloodiest anti-Christian persecution ever in history happened in Vietnam, also was the last state-sponsored persecution of Catholic Christians in Vietnam, as a part of Tự Đức's efforts to eradicate every ...
Trần Trung Nhàn (director); Bùi Duy Đông (writer); Phạm Hồng Minh, Hoàng Lan, An Qúy, Lê Ngọc Dung, Lê Anh Tuấn, Vũ Phạm Tú, Văn Thanh, Thu An, Tuyết Liên... Drama 14 Jan [52] Chuyện của Hạ (Hạ's Story) 1 Drama 21 Jan-4 Feb [53] Người Hoa Lư (People of Hoa Lư) 2 VTV Film Prod.
Nguyễn Trường Tộ was born into a Roman Catholic family in Nghệ An Province in central Vietnam, approximately in the year 1830 (from 1827 to 1830). His native village of Bùi Chu is part of present-day Hung Trung village in Hưng Nguyên district of Nghe An province.
A nephew of Tự Đức who was adopted as a son. 15.IV: 1872–1943: 1884–1885: Nguyễn Phúc Ưng Lịch: Hàm Nghi: Fifth son of Nguyễn Phúc Hồng Cai, grandson of Thiệu Trị. Younger half-brother of Kiến Phúc and Đồng Khánh. 15.II: 1864–1889: 1885–1889: Nguyễn Phúc Ưng Kỷ: Đồng Khánh
Hồng Bảo's four sons, Nguyễn Phúc Ưng Đạo (阮福膺導), Nguyễn Phúc Ưng Tự (阮福膺寺), Nguyễn Phúc Ưng Chuyên (阮福膺傳) and Nguyễn Phúc Ưng Tương (阮福膺將), were banished from the royal court, and renamed Đinh Đạo (丁導), Đinh Tự (丁寺), Đinh Chuyên (丁傳) and Đinh Tương (丁將) respectively, then exiled to Khánh Hòa.
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.
According to statistics by Nguyễn Thị Lan, Tự Đức thánh chế tự học giải nghĩa ca holds the largest collection of Chinese characters that are annotated with chữ Nôm. [9] Hà Đăng Việt states that the Nôm in the book mainly uses three methods of creating characters, giả tá 假借 (phonetic loan), hình thanh 形聲 ...