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The Great Exhibition of the Works of Industry of All Nations, also known as the Great Exhibition or the Crystal Palace Exhibition (in reference to the temporary structure in which it was held), was an international exhibition that took place in Hyde Park, London, from 1 May to 15 October 1851.
It was renamed the Museum of Science in 1939, under the directorship of Henry Bradford Washburn, Jr., a renowned American mountaineer. [3] The Boston Museum of Natural History of 1830/1864–1945 should not be confused with the private Warren Museum of Natural History (1858–1906, formerly on Chestnut Street in Boston).
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The Great Exhibition of 1851: A Nation on Display. Yale University Press, 1999. Chadwick, George F. The Works of Sir Joseph Paxton, 1803-1865. Architectural Press, 1961. Hobhouse, Hermione. The Crystal Palace and the Great Exhibition: Science, Art and Productive Industry: The History of the Royal Commission for the Exhibition of 1851. A&C Black ...
For the Great Exhibition of 1851 Thornycroft made an over-life-sized plaster equestrian statue of Queen Victoria which was much admired by the queen herself and by Prince Albert. [2] He had the royal family's full co-operation in its creation, the queen's horse being sent round to his studio several times during the process. [3]
The Boston Artists' Association (1841–1851) was established in Boston, Massachusetts by Washington Allston, Henry Sargent, and other painters, sculptors, and architects, in order to organize exhibitions, a school, a workspace for members, and to promote art "for the art's sake."
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A series of exhibitions in the 1960s and 1970s further restored their reputation, and a major exhibit of Pre-Raphaelite work in 1984 was one of the most commercially successful exhibitions in the Tate Gallery's history. While Pre-Raphaelite art enjoyed a return to popularity, non-Pre-Raphaelite Victorian painting remains generally unfashionable ...