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In 2004, Suzanne Anker and Dorothy Nelkin's The Molecular Gaze also helped establish the integration of molecular biology with artistic practice. [27] [28] In 2015-2016 Amy Karle created Regenerative Reliquary, a sculpture of bio-printed scaffolds for human MSC stem cell culture into bone, in the shape of a human hand form installed in a vessel.
Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in bioart, [1] she has been working on the relationship of art and the biological sciences for more than twenty five years.
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Art therapists may vary the goals of art therapy and the way they provide art therapy, depending upon the institution's or client's needs. After an assessment of the client's strengths and needs, art therapy may be offered in either an individual or group format, according to which is better suited to the person.
With the abducens nucleus it makes up the horizontal gaze centre. [1] It is situated in the pons adjacent to the abducens nucleus . [ 2 ] It projects to the ipsilateral abducens (cranial nerve VI) nucleus, and contralateral oculomotor (cranial nerve III) nucleus [ note 1 ] to mediate conjugate horizontal gaze and saccades .
alternative therapy (two senses: a second choice among scientific therapies, or alternative medicine) androgen replacement therapy; animal-assisted therapy; antibody therapy; antihormone therapy; antiserum therapy; aquarium therapy; aquatic therapy (nonscientific and scientific forms) aromatherapy; art therapy; Auger therapy; aurotherapy ...
The Betty Ford Center was an independent nonprofit residential treatment center in Rancho Mirage, California for people with substance dependence. Since becoming part of the Hazelden Foundation it offers inpatient , outpatient , and residential day treatment for alcohol and other drug addictions, as well as prevention and education programs for ...
Sculpture is an art magazine, published in Jersey City, NJ, by the International Sculpture Center. Described as "the essential source of information, criticism, and dialogue on all forms of contemporary sculpture internationally," [ 1 ] Sculpture is published in print form and digitally six times per year.