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This article lists compositions written for the viola.The list includes works in which the viola is a featured instrument: viola solo, viola and piano, viola and orchestra, ensemble of violas, etc. Catalogue number, date of composition and publisher (for copyrighted works) are also included.
This article lists notable compositions within the viola repertoire. The list includes works in which the viola is a featured instrument (i.e., viola solos, concertos, viola and piano duos, etc.). The list includes works in which the viola is a featured instrument (i.e., viola solos, concertos, viola and piano duos, etc.).
Free scores by Alessandro Rolla at the International Music Score Library Project (IMSLP) Rolla String Trio No.1-Sound-bites & Biography at Edition Silver Trust; Gems Music Publications, a source for several Rolla scores, including the complete viola duets, viola solo works, some violin-viola duets, and viola concerti.
While helping Primrose to write his memoirs, Dalton suggested that the HBLL could preserve Primrose's papers. After meeting with library officials in 1974, the Primrose Viola Archive was established in 1979 when Primrose agreed to donate his viola sheet music and memorabilia to the library to start a national-scale viola archive. [2] [4]
Inside back cover of the sheet music for Mother's Sacrifice, published in 1909. Kinney's Mother’s Sacrifice is a solo piano piece for which she won second prize in the Inter-State Literary Society Original Music Contest held at Omaha, Nebraska in 1908. (The first prize was won by Claude Minor of Lawrence, Kansas, also a student of the Western ...
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque, Classical, and Romantic eras, viola was viewed mostly as an ensemble instrument. Though there were a few notable concertos written for the instrument ...
Elegy is a composition by Igor Stravinsky for solo viola composed in 1944. It was dedicated to the memory of Alphonse Onnou, the founder of the Pro Arte Quartet. The score bears no time signature, but the metronome marking sets the tempo at = 56. The opening section is in the style of a chant above a rippling accompaniment.
The song is adapted to a central section of Elgar's concert-overture "In the South (Alassio)" where the "Canto Popolare" [1] melody is introduced by a solo viola with a delicate and imaginative accompaniment, which could be likened to Shelley's "...accompaniment on the Guitar." The first performance of "In the South" was in March 1904.