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Sri Suryaraya Andhra Nighantuvu is a Telugu language dictionary. It is the most comprehensive monolingual Telugu dictionary. [1] It was published in eight volumes between 1936 and 1974. [2] [3] It was named after Rao Venkata Kumara Mahipati Surya Rau, the zamindar of Pitapuram Estate who sponsored the first four volumes of the dictionary. [4] [5]
anna older.brother waccā ḍu come-past- MASC anna waccā ḍu older.brother come-past- MASC The older brother came amma mother wacc-in di come-past- FEM amma wacc-in di mother come-past- FEM Mother came In terms of the verbal agreement system, genders in marking on the Telugu verb only occur in the third person. Third person Singular Plural Masculine tericā- ḍu tericā- ḍu He opened ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Telugu literature includes poetry, short stories, novels, plays, and other works composed in Telugu. There is some indication that Telugu literature dates at least to the middle of the first millennium. The earliest extant works are from the 11th century when the Mahabharata was first translated to Telugu from Sanskrit by Nannaya.
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Telugu Alankaram is a figure of speech which means ornaments or embellishments which are used to enhance the beauty of the poems. There are two types of Alankarams, 'Shabdalankaram' which primarily focuses on Sound and 'Arthalamkaram' which focuses on meaning. These two alankarams are further broken down in to different categories.
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Tanjore Royal Palace. The work comprises four sections, between them consisting of five hundred and eighty-four poems, and belonged to the genre of śṛṅgāra-kāvya or śṛṅgāra-prabandham, [2] 'a genre associated in the history of Telugu literature with the Thanjavur era' whose poems were mostly inventive retellings of the story of Radha and Krishna, evoking the rāsa of Sringara. [3]