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This rise in popularity of the artist has resulted in the removal of their paintings to be sold. One example can be seen in the removal of Girl with Red Balloon from Shoreditch, east London in 2013–2014. The painting was removed over a period of two weeks, using a diamond-bladed chainsaw to cut through 22 cm of brick.
As a result, Mould revises his estimate of the painting's value to be between £50,000 and £100,000. Although professional removal of the painting would be costly and not without risk, the owners decide to go ahead with this, and the work is removed safely and sent for restoration before going to auction. [70]
Afterwards it was to be laid picture side up, with the image covered by a sheet of paper coated in paste (generally of a beeswax or glue base). The artwork would then be flipped over and secured to the work surface with pins or nails. The current canvas would then be trimmed down or removed entirely so that a new, larger one may be applied. [6]
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Splined canvas can be restretched by adjusting the spline. Stapled canvases stay stretched tighter over a longer period of time, but are more difficult to re-stretch when the need arises. Canvas boards are made of canvas stretched over and glued to a cardboard backing, and sealed on the backside. The canvas is typically linen primed for a ...
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Philip Jonathan Clifford Mould OBE (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. [1] He has made a number of major art discoveries, including works of Thomas Gainsborough , Anthony Van Dyck and Thomas Lawrence .
Exposing acrylic paintings to temperatures ranging near sub zero will cause damaging cracking. Acrylic paint is highly susceptible to mold growth. This is a growing concern for artists and conservators as removal causes some degree of damage to the original paint.