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A series of farewell performances, entitled Kabuki-za Sayonara Kōen (歌舞伎座さよなら公演, "Kabuki-za Farewell Performances") were held from January through April 2010, after which kabuki performances took place at the nearby Shinbashi Enbujō and elsewhere until the opening of the new theatre complex, which took place on 28 March 2013.
Yoshitsune Senbon Zakura (義経千本桜), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. [a] Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year.
Kabuki (歌舞伎, かぶき) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers.
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh , a spiritual drama, and its comic accompaniment kyōgen ; kabuki , a dance and music theatrical tradition; bunraku , puppetry; and yose , a spoken drama.
Izumo no Okuni (出雲 阿国, born c. 1578; died c. 1613) was a Japanese entertainer and shrine maiden who is believed to have invented the theatrical art form of kabuki. She is thought to have begun performing her new art style of kabuki (lit. ' the art of singing and dancing ') theatre in the dry riverbed of the Kamo River in Kyoto. Okuni's ...
Aragoto (荒事), or 'rough style', [1] is a style of kabuki acting that uses exaggerated, dynamic kata (forms or movements) and speech. Aragoto roles are characterised by the bold red or blue makeup ( kumadori ) worn by actors, as well as their enlarged and padded costumes. [ 2 ]
Onstage, Danjuro Ichikawa, one of the biggest stars of Japan's Kabuki theater, is a virtuoso in switching roles. The 13th man to bear the name Danjuro Ichikawa — which has been passed down ...
Tachiyaku (立役, alt. tateyaku [1]) is a term used in the Japanese theatrical form kabuki to refer to young adult male roles, and to the actors who play those roles. Though not all tachiyaku roles are heroes, the term does not encompass roles such as villains or comic figures, which form their own separate categories.