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Forbidden Songs (Polish: Zakazane piosenki Polish pronunciation: [zakaˈzanɛ pjɔˈsɛnkʲi]) is a 1946 Polish musical film directed by Leonard Buczkowski.It was the first feature film to be created in Poland following the six years of World War II.
Eroica (released in some territories as Heroism) is a 1958 Polish film by Andrzej Munk, and his second feature film after Man on the Tracks (1956). Eroica is composed of two separate stories, presenting satirical critiques of two aspects of the Polish character: acquisitive opportunism, and a romantic fascination for heroic martyrs.
For an A-Z list of films currently covered on Wikipedia see Polish films. 1902–1929. List of Polish films before 1930; Interwar. List of films made in Poland in the ...
Mother Joan of the Angels (Polish: Matka Joanna od Aniołów, also known as The Devil and the Nun) is a 1961 Polish religious horror art film on demonic possession, directed by Jerzy Kawalerowicz, based on a novella of the same title by Jarosław Iwaszkiewicz, loosely based on the 17th century Loudun possessions. [1]
No End (Polish: Bez końca) is a 1985 film directed by Krzysztof Kieślowski and starring Grażyna Szapołowska, Maria Pakulnis, and Aleksander Bardini. The film is about the state of martial law in Poland after the banning of the trade union Solidarity in 1981. [1] Kieślowski worked with several regular collaborators for the first time on No End.
The Hourglass Sanatorium (Polish: Sanatorium pod klepsydrą) is a 1973 Polish surrealist film directed by Wojciech Jerzy Has, starring Jan Nowicki, Tadeusz Kondrat, Mieczysław Voit, Halina Kowalska and Gustaw Holoubek.
The music video was remastered to 2160p (4K) in 2019 from the original 35mm film and released on YouTube, while retaining its original URL and upload date of 6 January 2010. The remaster also contains new sound effects (revving motorbikes etc.) not featured on the original clip. [ 25 ]
Film critic Peter Bradshaw gave the film a five star review in 2023 in The Guardian upon its release on streaming platform, Mubi. [2] Bradshaw wrote: "The Last Stage is a forthright, vehement film with a confident and almost Hollywoodised way of portraying the nightmare, but with a distinctive emphasis on the leftist Polish patriots and their ...