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Laments for Josiah is the term used in reference to 2 Chronicles 35:25.The passage reads: "And Jeremiah lamented for Josiah: and all the singing men and the singing women spake of Josiah in their lamentations to this day, and made them an ordinance in Israel: and, behold, they are written in the lamentations."
It is the largest painting by Vermeer and one of the very few with an overt religious subject. The story of Christ visiting the household of the two sisters Mary of Bethany and Martha goes back to the New Testament. [1] The work has also been called Christ in the House of Mary and Martha (reversing the last two names). [2]
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
The speaker of the poem is Mary, mother of Jesus as she laments the crucifixion of her son, Jesus Christ, while at the side of his cross on Calvary. As such the poem constitutes an element of Roman Catholic religious poetry. Its interpretation has been much discussed in Hungarian philology, and the meaning of some words and phrases remains ...
Tanner spoke of the painting as having been particularly challenging to paint. [2] The painting was purchased in 1907 by the museum. [3] It was also exhibited in Pittsburgh in 1907 and New York in 1908. [2] The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2]
The Song of Songs (German: Das Hohelied Salomos, pronounced [das hoːəˈliːt ˈzaːlomos]) is a expressionist painting cycle created by German painter Egon Tschirch in 1923. Therein Tschirch interprets the texts of the Song of Songs from the Old Testament. The artwork was lost for more than 90 years until it was rediscovered in 2015. [1]
The central panel depicted the Assumption of the Virgin Mary. This is a rare work in which Christ is depicted surrounded by angelic musicians. [4] After having been abandoned for four centuries, it was bought in 1885 by an art dealer and sold to the Belgian government, which entrusted it to the Royal Museum of Fine Arts of Antwerp.