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The "public" T-Bones in 1966. The T-Bones were an American, Liberty Records recording group, existing from 1963 to 1966. [1] The studio recordings of all of their albums but the last were done by American session musicians, The Wrecking Crew. They should not be confused with Gary Farr's British mid-1960s band of the same name. [1]
In 1965, Pell went into the studio with members of The Wrecking Crew and recorded "No Matter What Shape (Your Stomach's In)," [2] a song based on music used in an Alka-Seltzer television commercial. When the single became a hit, Liberty Records needed the T-Bones to go on the road to promote it, but the original session musicians were not ...
He was responsible for putting together the touring version of the group, which also recorded as The T-Bones. [ 7 ] [ 8 ] [ 9 ] The January 22, 1966 issue of Cash Box listed the T-Bones' line up as 23 year old Judd Hamilton on rhythm guitar, his 21 year old brother Danny on lead guitar, 24 year old drummer Gene Pello, 23 year old bass guitarist ...
Daniel Robert Hamilton (June 1, 1946 – December 23, 1994) was an American musician and singer. He was a member of The T-Bones with his brother Judd Hamilton and later formed the soft-rock group Hamilton, Joe Frank & Reynolds, performing lead vocals on the band's two biggest hits, "Don't Pull Your Love" and "Fallin' in Love".
Gary Anthony Farr (19 October 1944 [1] – 29 July 1994) [2] [3] was a British folk/blues singer best known as the founder and lead vocalist of the T-Bones, [4] a British rhythm and blues band active primarily in the early to mid-1960s.
Lead vocals by Eddie Kendricks Elbridge Al Bryant (line in the middle) Melvin Franklin (ad-lib on outro); Background vocals by Melvin Franklin, Paul Williams, and Otis Williams
Members of the musical group The T-Bones. Pages in category "The T-Bones members" The following 14 pages are in this category, out of 14 total.
The song centers around a woman's longing for her former lover, a man named Nathan Jones, who left her nearly a year ago "to ease [his] mind." Suffering through the long separation ("Winter's past, spring, and fall") without any contact or communication between herself and Jones, the narrator is no longer in love with Jones, remarking that "Nathan Jones/you've been gone too long".