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Milo was the son of the Leudwinus of Trier and Willigard of Bavaria. He was born a nobleman and later styled Count of Trier. [1] His brother was Wido (Gui), Count of Hornbach. [2] Rotrude of Hesbaye was possibly his sister. [1] Lambert of Maastricht was a kinsman. Milo received a monastic education.
With the help of Pino Signoretto, an Italian glass maestro from Murano, Morris developed new techniques that used oxy/propane torches to spot heat specific sections of a piece allowing for the high level of detail that his work is known for. Morris and his team maintained the William Morris Studio, WA, throughout its duration.
The museum has a fine collection of Roman glass. A cage cup from Piesport, found in a grave in Trier, underlines the craftsmanship. The importance of Roman Trier became once more apparent in 1993 when a hoard of thousands of coins was found in the city centre, the largest Roman gold hoard ever found (with 2650 aurei weighing ca. 18,5 kg). The ...
This important collection includes over 450 works of art and is "the most comprehensive public collection of Australian studio glass anywhere." [ 5 ] Since that time Australian glass has gained worldwide recognition with Adelaide in South Australia, hosting the International Glass Art Society Conference in 2005 on only its third occasion ...
Also in 2006 an enclosed garden and glass-blowing studio were added to the complex. The glass studio presents glass working demonstrations to the public and seminars for students of glass. Lynggaard (1930-2011), originally a ceramicist, had lectured in Sheridan College in Oakville, Ontario, where he encountered the studio glass movement.
The Lidbetter Photographic collection consists of 167 glass negatives that are 17 x 22 cm in size, 10 that are 12 x 16 cm, and 9 that are 8 x 10.5 cm. In addition there are 80 plus non-glass negatives of various sizes, all dated from 1925 onwards. [22] Rhodes University: Sir George Cory Lantern Slide Collection: Makhanda
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He turned the technique of "working at the lamp" to an art form back in 1968, when he opened the Frabel Studio in Atlanta, Georgia. [ 1 ] [ 2 ] At that time crystal glass was not considered a serious art medium and few artists were utilizing the beauty and diversity of glass to create unique art pieces.