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A Cottage on Dartmoor; E. Escape (1948 film) Escape! (film) M. The Mother of Dartmoor; O. The Old Dark House (1963 film) R. Run Wild, Run Free; S. A Summer Story; W.
The movie ticket company Fandango is reaching the digital streaming market too with the Vudu app, a movie app that offers rentals, purchases and free movies for streaming. Powered by ads, Vudu ...
Moment of Truth is a anthology series of made-for-television films produced for and aired by NBC from 1993 until 1998. As with most films of the time, the series specifically targeted women and mainly featured everyday women, including their daughters, in some kind of peril, danger or other situation, which were often adapted from real-life events, promoted as "ripped from the headlines".
A Daughter's Nightmare is a 2014 American TV thriller and suspense film starring Emily Osment, Gregg Sulkin, Paul Johansson and Victoria Pratt. It was directed by Vic Sarin and it was released in the United States on May 3, 2014, on Lifetime network. This movie was filmed in Kelowna, British Columbia, Canada.
Run Wild, Run Free (also known as The White Colt and Philip) is a 1969 British drama film directed by Richard C. Sarafian and starring John Mills. The film was written by David Rook, based on his novel The White Colt , and shot on location in Dartmoor , Devon , England .
After East Coast businessman Jay Randolph Lattimore approves the designs for a new gymnasium he is donating, he discusses with his attorney and an associate how he has recently undergone a complete personality change: Susan, the widow of Lattimore's son Tom, who was killed in the war, confronts the gruff, bitter Lattimore with the news that she and her six-year-old daughter Joan will no longer ...
Drew Barrymore learned firsthand what it’s like to walk in on your teenager watching something unexpected. On an upcoming episode of The Drew Barrymore Show (premiering on November 11), the talk ...
The Monthly Film Bulletin wrote: "Although the basic situation may prove a trifle over-familiar to all but the smallest children, a script remarkably free of clichés (e.g., Patricia Hayes never once saying of her convict son "He's a good boy"), an intelligent use of locations, and even the occasional idea that would serve in a higher-powered thriller (e.g., Louise converting Green to the ...