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  2. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1]

  3. Locked hands style - Wikipedia

    en.wikipedia.org/wiki/Locked_hands_style

    Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.

  4. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart (or chart) is a form ... (usually consisting of piano, guitar, ... is a method of notating chord changes using numbers based on scale degrees, ...

  5. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).

  6. Chord (music) - Wikipedia

    en.wikipedia.org/wiki/Chord_(music)

    A guitarist performing a C chord with G bass. In Western music theory, a chord is a group [a] of notes played together for their harmonic consonance or dissonance.The most basic type of chord is a triad, so called because it consists of three distinct notes: the root note along with intervals of a third and a fifth above the root note. [1]

  7. Pythagorean tuning - Wikipedia

    en.wikipedia.org/wiki/Pythagorean_tuning

    The so-called "Pythagorean tuning" was used by musicians up to the beginning of the 16th century. "The Pythagorean system would appear to be ideal because of the purity of the fifths, but some consider other intervals, particularly the major third, to be so badly out of tune that major chords [may be considered] a dissonance." [2]