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A dominant woman and a submissive man practicing feminization. Feminization or feminisation, sometimes forced feminization (shortened to forcefem or forced femme), [1] [2] and also known as sissification, [3] is a practice in dominance and submission or kink subcultures, involving reversal of gender roles and making a submissive male take on a feminine role, which includes cross-dressing.
The film is a remake of a 1935 French movie, Fanfare of Love, from the story by Robert Thoeren and Michael Logan, which was remade in 1951 by German director Kurt Hoffmann as Fanfares of Love. In Blake Edwards 's 1982 musical comedy film Victor/Victoria , Victoria Grant, a struggling soprano, is unable to find work but she finds success when ...
A Place for Annie is a 1994 American drama television film directed by John Gray, written by Cathleen Young and Lee Guthrie, and starring Sissy Spacek, Mary-Louise Parker and Joan Plowright. It aired on ABC on May 1, 1994, as part of the Hallmark Hall of Fame anthology series.
Marie (also known as Marie: A True Story) is a 1985 American biographical film starring Sissy Spacek as Marie Ragghianti, former head of the Tennessee Board of Pardons and Paroles, who was removed from office in 1977 after refusing to release prisoners on whose behalf bribes had been paid to aides to Governor Ray Blanton. Ragghianti, a single ...
The New York Times wrote "Tobia makes clear early on that this book will not be your traditional 'Transgender 101'. Even so, through evocative rhetoric, the memoir subtly educates even the most uninformed reader about the spectrum of nonbinary identities by recounting Tobia’s various coming-out experiences, their initial refuge in their Methodist faith and their gradual self-discovery and ...
This was especially common in the story-telling of ancient stories such as the character Benten from Benten Kozō. He was a thief in the play cross-dressing as a woman. Cross-dressing was also exhibited in Japanese Noh for similar reasons. Societal standards at the time broke boundaries between gender.
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The second is a wild perversion of a Korean short story—Sonagi—in which the Girl, having died, asks that her lover be buried along with her—even though he's still alive. The last is a wuxia/samurai movie spoof full of genre clichés and anachronisms. All three feature the same common thread: the Girl is from the future.