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[1] [2] The poem is 99 words in 3 stanzas, and describes a technological utopia in which humans and technology work together for the greater good. Brautigan writes about "mammals and computers liv[ing] together in mutually programming harmony", with technology acting as caretakers while "we are free of our labors and joined back to nature."
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work. [1] The words poem and poetry derive from the Greek poiēma (to make) and poieo (to create).
Rondel (or roundel): a poem of 11 to 14 lines consisting of 2 rhymes and the repetition of the first 2 lines in the middle of the poem and at its end. Sonnet: a poem of 14 lines using any of a number of formal rhyme schemes; in English, they typically have 10 syllables per line. Caudate sonnet; Crown of sonnets (aka sonnet redoublé) Curtal sonnet
"Mother to Son" is a 1922 poem by American writer and activist Langston Hughes. The poem follows a mother speaking to her son about her life, which she says "ain't been no crystal stair". She first describes the struggles she has faced and then urges him to continue moving forward.
[1] [2] The poem has been referred to as "a short sequel" to "The Old Cumberland Beggar", and Wordsworth himself regarded it as "an overflowing" of it. [3] [4] The form of the poem has been described as "a sonnet-like poem in two acts". [5] It consists of one stanza written in blank verse. [6] The poem describes an old man and the journey he is on.
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village "Maud Muller" is a poem from 1856 written by John Greenleaf Whittier (1807–1892). It is about a beautiful maid named Maud Muller.
The poem is written in Whitman's signature free verse style. Whitman, who praises words "as simple as grass" (section 39) forgoes standard verse and stanza patterns in favor of a simple, legible style that can appeal to a mass audience. [7] Critics have noted a strong Transcendentalist influence on the poem. In section 32, for instance, Whitman ...