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Knossos appears in other later legends and literature. Herodotus wrote that Minos, the legendary king of Knossos, established a thalassocracy (sea empire). Thucydides accepted the tradition and added that Minos cleared the sea of pirates, increased the flow of trade and colonised many Aegean islands. [10]
After his death, King Minos became a judge of the dead in the underworld alongside Rhadamanthus and Aeacus. Archeologist Sir Arthur Evans used King Minos as the namesake for the Minoan civilization of Crete. The Minoan palace at Knossos is sometimes referred to as the Palace of Minos though there is no evidence that Minos was a real person. [1]
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'Knossos: The Archaeology of a Dream'; UK edition – Knossos: Unearthing a Legend; US edition – Knossos: Searching for the Legendary Palace of King Minos), published by Éditions Gallimard. It was released in 1993 in the Archéologie series of Gallimard's "Découvertes" collection. According to standards of the collection, the book is ...
The Prince of the Lilies, or the Lily Prince or Priest-King Fresco, is a celebrated Minoan painting excavated in pieces from the palace of Knossos, capital of the Bronze Age Minoan civilization on the Greek island of Crete.
Bull-Leaping Fresco found at Knossos. The modern term "Minoan" is derived from the name of the mythical King Minos, who the Classical Greeks believed to have ruled Knossos in the distant past. It was popularized by Arthur Evans, possibly drawing on an earlier suggestion by Karl Hoeck. It is a modern coinage and not used by the Minoans, whose ...
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In this era, Knossos was ruled by a Mycenaean Greek elite, who adopted a mixture of local Minoan cultural traditions and ones from the mainland. [48] Many of the most famous rooms in the palace took their final form in this era, including the Throne Room and much of the residential quarters in the East Wing. [ 49 ]