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[2] Eckersley-Lombers posters were both aesthetic and functional, thereby perfectly fulfilling advertisers' criteria. Eckersley-Lombers always supplied full-size artwork with hand drawn lettering for their poster designs. Eckersley was involved not only in graphic design but in its teaching: he and Lombers worked as visiting lectures in poster ...
Family Responsibilities Discrimination (FRD), also known as caregiver discrimination, is a form of employment discrimination toward workers who have caregiving responsibilities. [1] Some examples of caregiver discrimination include changing an employee's schedule to conflict with their caregiving responsibilities, refusing to promote an ...
Kabushiki Kaisha Othello, which was owned by Hasegawa, registered the trademark "OTHELLO" for board games in Japan; Tsukuda Original registered the trademark in the rest of the world. All intellectual property regarding Othello outside Japan is now owned by MegaHouse, the Japanese toy company that acquired Tsukuda Original's successor PalBox.
His innovative designs for Vladimir Rosing's American Opera Company in 1927 and 1928 were praised by critics. Jones also brought his expressionistic style to many productions put on by the Theatre Guild , with innovative designs for The Philadelphia Story (1937), Othello (1943), and The Iceman Cometh (1946).
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
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