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The famous description of twilight in the fading many-colored woods of autumn may be taken as an example of the highest art to which purely descriptive poetry has ever attained. It is obvious even here that the effect of these rich and sonorous lines, in spite of the splendid effort of the artist, is monotonous and leads up to no final crisis ...
Topographical poetry or loco-descriptive poetry is a genre of poetry that describes, and often praises, a landscape or place. John Denham's 1642 poem "Cooper's Hill" established the genre, which peaked in popularity in 18th-century England. Examples of topographical verse date, however, to the late classical period, and can be found throughout ...
The year 1793 saw the first publication of poems by Wordsworth in the collections An Evening Walk and Descriptive Sketches. In 1795, he received a legacy of £900 from Raisley Calvert and was able to pursue a career as a poet. It was also in 1795 that he met Samuel Taylor Coleridge in Somerset. The two poets quickly developed a close friendship.
Descriptive poetics is an analytic approach within literary studies. While the concept of poetics goes back to Aristotle , the term "descriptive poetics" refers to an approach which, according to Brian McHale , represents a middle ground between theoretically oriented approaches and analyses of individual works of literature.
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
The poem by which Scott is most remembered now is “The Drum” (Ode 13), an anti-war poem beginning “I hate that drum’s discordant sound” which was widely reprinted after its publication. [19] In England it was set as a vocal piece by Benjamin Frankel as part of his “8 Songs” (Op. 32, 1959), [20] and later by Christopher Dowie. [21]
G. R. Hibbard: "The Country House Poem of the Seventeenth Century," Journal of the Warburg and Courtauld Institutes 19 (1956), pp. 159–174; William McClung: The Country House in English Renaissance Poetry (1977) Hugh Jenkins: Feigned Commonwealths, the Country-House Poem and the Fashioning of the Ideal Community (1998, ISBN 0-8207-0292-7)
In addition to the list of first lines which link to the poems' texts, the table notes each poem's publication in several of the most significant collections of Dickinson's poetry—the "manuscript books" created by Dickinson herself before her demise and published posthumously in 1981; the seven volumes of poetry published posthumously from ...