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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
ABAB – Four-line stanza, first and third lines rhyme at the end, second and fourth lines rhyme at the end. AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end.
Broken rhyme is a type of enjambement producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line. Cross rhyme matches a sound or sounds at the end of a line with the same sound or sounds in the middle of the following (or preceding) line. [8] A rhyme scheme is the pattern of rhyming lines ...
Monorhyme is a passage, stanza, or entire poem in which all lines have the same end rhyme. [1] The term "monorhyme" describes the use of one ( mono ) type of repetitious sound ( rhyme ). This is common in Arabic, Latin and Welsh work, [ 2 ] such as The Book of One Thousand and One Nights , [ citation needed ] e.g., qasida and its derivative kafi .
While there are "nursery rhymes" which are called "children's songs", not every children's song is referred to as a nursery rhyme (example: Puff, the Magic Dragon, and Baby Shark). This list is limited to songs which are known as nursery rhymes through reliable sources.
An Introduction To Rhyme (ISBN 1-85725-124-5) is a book by Peter Dale which was published by Agenda/Bellew in 1998. The first chapter gives a detailed and comprehensive categorization of forty types of rhyme available in English .
The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
The line break 'must/n't' allows a double reading of the word as both 'must' and 'mustn't', whereby the reader is made aware that old age both enjoins and forbids the activities of youth. At the same time, the line break subverts 'mustn't': the forbidding of a certain activity—in the poem's context, the moral control the old try to enforce ...