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Geometric constructions exploring the infinite, especially mirror mosaics [24] Ferguson, Helaman: 1940– Digital art: Algorist, Digital artist [3] Forakis, Peter: 1927–2009: Sculpture: Pioneer of geometric forms in sculpture [25] [26] Grossman, Bathsheba: 1966– Sculpture: Sculpture based on mathematical structures [27] [28] Hart, George W ...
The Ancient Tradition of Geometric Problems studies the three classical problems of circle-squaring, cube-doubling, and angle trisection throughout the history of Greek mathematics, [1] [2] also considering several other problems studied by the Greeks in which a geometric object with certain properties is to be constructed, in many cases through transformations to other construction problems. [2]
Many of these problems are easily solvable provided that other geometric transformations are allowed; for example, neusis construction can be used to solve the former two problems. In terms of algebra , a length is constructible if and only if it represents a constructible number , and an angle is constructible if and only if its cosine is a ...
Neusis construction. In geometry, the neusis (νεῦσις; from Ancient Greek νεύειν (neuein) 'incline towards'; plural: νεύσεις, neuseis) is a geometric construction method that was used in antiquity by Greek mathematicians.
A mathematical sculpture is a sculpture which uses mathematics as an essential conception. [ 1 ] [ 2 ] Helaman Ferguson , George W. Hart , Bathsheba Grossman , Peter Forakis and Jacobus Verhoeff are well-known mathematical sculptors .
Sasho Kalajdzievski's Math and Art: An Introduction to Visual Mathematics takes a similar approach, looking at suitably visual mathematics topics such as tilings, fractals and hyperbolic geometry. [104] Some of the first works of computer art were created by Desmond Paul Henry's "Drawing Machine 1", an analogue machine based on a bombsight ...
However, others point out that this interpretation of Stonehenge "may be doubtful" and that the geometric construction that generates it can only be surmised. [2] As another example, Carlos Chanfón Olmos states that the sculpture of King Gudea (c. 2350 BC) has golden proportions between all of its secondary elements repeated many times at its ...
Faydherbe started his career at a crucial moment in the history of Flemish sculpture. In the first place, there was the religious context. The churches in Flanders had been emptied of their decorations by the iconoclasts in the 16th century and the Roman Catholic Contrareformation demanded that artists created paintings and sculptures in church contexts that would speak to the illiterate ...