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Love Letters in the Sand. " Love Letters in the Sand " is a popular song first published in 1931. It began life as a poem by Nick Kenny. J. Fred Coots read the poem in the New York Daily Mirror, and obtained Kenny's permission to set the poem to music. He went through 4 different melodies before settling on the published version known today.
Footprints in the sand. " Footprints," also known as " Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where ...
Nick Kenny (poet) Nick Kenny's poem, "Pirate's Moon," illustrated by Richard Bassford. Nicholas Aloysius Kenny (February 3, 1895 in Astoria, New York - December 1, 1975 in Sarasota, Florida) was a syndicated newspaper columnist, a song lyricist and a poet who wrote light verse in the Edgar Guest tradition.
Box office. $3.75 million (US rentals) [2] Bernardine is a 1957 American musical film directed by Henry Levin and starring Pat Boone, Terry Moore, Dean Jagger, Dick Sargent, and (in her last film, after a 19-year hiatus) Janet Gaynor. The 1952 play upon which the movie is based was written by Mary Coyle Chase, the Denver playwright who also ...
The range of emotions expressed can span from adulation to obsession, and include devotion, disappointment, grief and indignation, self-confidence, ambition, impatience, self-reproach and resignation. [25] A love letter may take another literary form than simple prose. A historically popular one was the poem, particularly in the form of a ...
A vocal version by Dick Haymes, arranged and conducted by Young, was recorded in March 1945 and peaked in popularity in September. [2][3] "Love Letters" was subsequently nominated for the Academy Award for Best Original Song in 1945, but lost to "It Might as Well Be Spring" from State Fair. The song has been covered by a number of artists, most ...
Allmusic critic Matthew Greenwald described "Cowgirl in the Sand" as "one of Neil Young's most lasting compositions" and "a true classic". [3] Rolling Stone critic Rob Sheffield calls it and "Down by the River" the "key tracks" on Everybody Knows This is Nowhere, calling them "long, violent guitar jams, rambling over the nine-minute mark with no trace of virtuosity at all, just staccato guitar ...
9. Babe, Sometimes I wish there were more minutes in the day so we could spend even more time together. You’re my greatest adventure and I love you so much. Yours forever, 10. Lovey, How lucky ...