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A VistaVision 35 mm horizontal camera film frame (the dotted area shows the area actually used). VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954. Paramount did not use anamorphic processes such as CinemaScope but refined the quality of its ...
Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. [1] The Techniscope format uses a two film- perforation negative pulldown per frame, instead of the standard four-perforation frame usually exposed in 35 mm film photography. Techniscope's 2.33:1 aspect ratio is easily enlarged to the 2. ...
A Stereo Realist camera. The Stereo Realist is a stereo camera that was manufactured by the David White Company from 1947 to 1971. It was the most popular 35 mm stereo camera ever manufactured [1] and started the era of popular stereo photography of the mid 20th century.
Comparing the film area of Super 35 (framed for 2.39) to CinemaScope, standard widescreen and Techniscope. Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track.
Kodacolor-X is a color negative film that was manufactured by Eastman Kodak between 1963 and 1974. It was introduced along with the Kodak Instamatic cameras which use 126 film. The film was designed to be processed in the C-22 process, which is the predecessor to today's C-41 process. Only a few specialty labs still process this film, due to ...
Panavision is an American motion picture equipment company founded in 1954 specializing in cameras and lenses, based in Woodland Hills, California.Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers.