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The "lost" collection of Carrolup children's art was made by Florence Rutter, principally to exhibit and sell on behalf of the children, in the United Kingdom and the Netherlands, through the Aboriginal Children's Trust that she set up in London. The collection includes a personal selection that Florence made for both herself and her family.
The chalk-painting "Bord de Mer," by Claude Monet, created in 1865. The painting was stolen from Adalbert Parlagi by the Nazis in 1940, and returned to his descendants by the New Orleans FBI ...
The painting and the entire collection of the Czartoryski family in Warsaw were confiscated in 1942, brought to Austria and probably stolen there by American military personnel after the end of the war. In 1949 it came into the possession of the VMFA. The VMFA started an inventory review in 1998 and identified the painting as looted art.
In 1940, the Nazis seized a Claude Monet pastel and seven other works of art from Adalbert "Bela" and Hilda Parlagi, a Jewish couple forced to flee their Vienna home after Austria was annexed into ...
A portrayal entitled The Taking of the Children on the 1999 Great Australian Clock, Queen Victoria Building, Sydney, by artist Chris Cooke. The Stolen Generations (also known as Stolen Children) were the children of Australian Aboriginal and Torres Strait Islander descent who were removed from their families by the Australian federal and state government agencies and church missions, under ...
Lousy Little Sixpence begins with the testimonies of survivors of the Stolen Generations who were born in the early 1900s. Later, the film documents the work of Jack Patten and the Aborigines Progressive Association in the 1930s, and ends with the Day of Mourning on 26 January 1938, which marked 150 years of European settlement in Australia.
Many valuable paintings have been stolen.The paintings listed are from masters of Western art which are valued in millions of U.S. dollars.The US FBI maintains a list of "Top Ten Art Crimes"; [1] a 2006 book by Simon Houpt, [2] a 2018 book by Noah Charney, [3] and several other media outlets have profiled the most significant outstanding losses.
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