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Stephen Rea (/ ˈ r eɪ / ray; born 1946) is an Irish actor of stage and screen. Born in Belfast , Northern Ireland, he began his career as a member of Dublin 's Focus Theatre , and played many roles on the stage and on Irish television.
The film explores themes of race, sex, gender, nationality, and sexuality against the backdrop of the Troubles in Northern Ireland. The film follows Fergus (Rea), a member of the IRA, who has a brief but meaningful encounter with a British soldier, Jody (Whitaker), who is being held prisoner by the group. Fergus later develops an unexpected ...
The supporting cast features Antonio Banderas and Stephen Rea. The film was released in November 1994 to generally positive reviews and was a commercial success. It received two Oscar nominations for Best Art Direction and Best Original Score.
The film was not released in New York until 1988. The New York Times said "Nothing happens in Loose Connections that isn't announced ahead of time, but the movie is very decently acted by Mr. Rea and especially by Miss Duncan...
The film is based upon the true story of Soviet serial killer Andrei Chikatilo, who was convicted in 1992 of the murder of 52 women and children committed between 1978 and 1990. It stars Stephen Rea, Donald Sutherland, and Max Von Sydow. The film is based on Robert Cullen's non-fiction book The Killer Department, published in 1993.
EXCLUSIVE: British producer Fired Up Films has teamed up with The Crying Game star Stephen Rea and Beat director Marco Kreuzpaintner on a pair of dramas. The company, which was set up in 2017 by ...
Angel (U.S. title: Danny Boy) is a 1982 Irish film written and directed by Neil Jordan and starring Stephen Rea. [2] The film was Neil Jordan's directorial debut, and the executive producer was John Boorman .
The End of the Affair is a 1999 romantic drama film written and directed by Neil Jordan and starring Ralph Fiennes, Julianne Moore and Stephen Rea.. The film was based on The End of the Affair, a 1951 novel by British author Graham Greene, which had been adapted as a film in 1955 with Deborah Kerr.