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This article lists songs of the C vs D "mash-up" genre that are commercially available (as opposed to amateur bootlegs and remixes).As a rule, they combine the vocals of the first "component" song with the instrumental (plus additional vocals, on occasion) from the second.
Luscious Jackson is an alternative rock/rap-rock group formed in 1991. [2] The band's name is a reference to former American basketball player Lucious Jackson. [3]The original band consisted of Jill Cunniff (lead vocals, bass), Gabby Glaser (vocals, guitar), and Vivian Trimble (keyboards, vocals).
Bret Bouldin – rap Portrait, The Jets , Carolyn Griffey , Tiara LeMacks, Suamana Brown, Dajhi McBeth, E-Luv, M. "Bay" Botiz, Ken "Wolfie" Washington – background vocals Gregg Barrett, Fil Brown, Vincent Cirilli, Jon Guggenheim, Donnell Sullivan – recording engineer
Christopher Wallace (AKA Notorious B.I.G.) was a ‘90s rap titan and this breakthrough song is widely considered to be one of the greatest hip-hop tracks of all time. Listen Now 5.
Everlast's music ranges from blues to hip hop and rock. [22] After having previously established himself as a rapper earlier in his career, Everlast subsequently reinvented himself with a new sound that fused acoustic rock, folk, blues and hip hop under the alias Whitey Ford.
In the mid-1990s, neo soul, which added 1970s soul influences to the hip hop soul blend, arose, led by artists such as D'Angelo, Erykah Badu, Lauryn Hill, and Maxwell. Lauryn Hill and Missy Elliott further blurred the line between R&B and hip hop by recording both styles. D'Angelo's Brown Sugar was released in June 1995.
A mashup (also mesh, mash up, mash-up, blend, bastard pop [1] or bootleg [2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]
Ron Wynn from AllMusic stated that "when words and music mesh", as on "Cantaloop (Flip Fantasia)", "Us3 show how effectively hip-hop and jazz can blend." [3] Another AllMusic editor, Stewart Mason, complimented it as "excellent" and "probably the best acid jazz single ever". [4]