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The ellipsis (/ ə ˈ l ɪ p s ɪ s /, plural ellipses; from Ancient Greek: ἔλλειψις, élleipsis, lit. ' leave out ' [ 1 ] ), rendered ... , alternatively described as suspension points [ 2 ] : 19 / dots , points [ 2 ] : 19 / periods of ellipsis , or ellipsis points , [ 2 ] : 19 or colloquially , dot-dot-dot , [ 3 ] [ 4 ] is a ...
Another example is found in Edith Wharton's The Age of Innocence. [2] Ellipsis is a common procedure in film narrative, where movement and action unnecessary to the telling of a story will often be removed by editing. For example, there would be no need to show a character standing up from a chair and walking the length of a room to open a door.
Nominal ellipsis occurs with a limited set of determinatives in English (cardinal and ordinal numbers and possessive determiners), though it is much freer in other languages. The following examples illustrate nominal ellipsis with cardinal and ordinal numbers: Fred did three onerous tasks because Susan had done two onerous tasks.
As seen in the examples above, VP ellipsis can be used to avoid redundancy in language. For example, "I like Linda's cookies, and Rebecca does too" is a much more concise sentence than "I like Linda's cookies, and Rebecca likes Linda's cookies too." VP ellipsis acts as a mechanism of grammatical reduction and contributes to clarity in language ...
The example sentence She gave the first talk on gapping, and he gave the first on stripping is the context, whereby the trees focus just on the structure of the noun phrase showing ellipsis. For each of the three theoretical possibilities, both a constituency-based representation (associated with phrase structure grammars ) and a dependency ...
The first example is ungrammatical because the island prevents us from moving anything out of the subject constituent (shown in square brackets). The second example is saved through sluicing as the island is sluiced and the meaning can be inferred from the context of the sentence, therefore maintaining the meaning and remaining grammatical.
Canonical examples of gapping have a true "gap", which means the elided material appears medially in the non-initial conjuncts, with a remnant to its left and a remnant to its right. The elided material of gapping in all the examples below is indicated with subscripts and a smaller font: Some ate bread, and others ate rice.
These examples of not-gapping suggest two things: that not-stripping, and thus stripping in general, is indeed a particular manifestation of the gapping mechanism and that not-stripping is also indeed ellipsis, since the ellipsis analysis of not-gapping is the only plausible analysis.