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More decorative form of the endless knot More complex form of the endless knot seen on a c. 400-year-old Chinese lacquerware dish Endless knot in a Burmese Pali manuscript. The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism.
Lü Xing is an ancient Chinese book that records legal principles, judicial system, and atonement.. Tattoos have been documented since the ancient Shang dynasty, when the Zhou refugees Wu Taibo and Zhongyong were recorded cutting their hair and tattooing themselves to gain the acceptance of the Jīngmán people (t 荊蠻, s 荆蛮) of the Yangtze River Delta prior to the establishment of the ...
A serpent or dragon consuming its own tail, it is a symbol of infinity, unity, and the cycle of death and rebirth. Pentacle: Mesopotamia: An ancient symbol of a unicursal five-pointed star circumscribed by a circle with many meanings, including but not limited to, the five wounds of Christ and the five elements (earth, fire, water, air, and soul).
The Chinese character for wan (pinyin: wàn) is similar to a swastika in shape and has two different variations:《卐》and 《卍》. As the Chinese character wan (卐 or 卍) is homonym for the Chinese word of "ten thousand" (万) and "infinity", as such the Chinese character is itself a symbol of immortality [126] and infinity.
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
The Meaning Behind Mandala Tattoos Mandala is the Sanskrit word for “circle” and a decorative illustration representing elevated thought and more profound meaning (per World History Encylopedia ).
The Meaning Behind the Semicolon Tattoo. As Bleuel noted, the semicolon tattoo signifies “your story isn’t over.” However, the semicolon design has expanded to offer further nuanced meaning.
Tattoos were often referred to in literature depicting bandits and folk heroes. As late as the Qing dynasty, [when?] it was common practice to tattoo characters such as 囚 ("Prisoner") on convicted criminals' faces. Although relatively rare during most periods of Chinese history, slaves were also sometimes marked to display ownership.