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Research on Japanese men's speech shows greater use of "neutral" forms, forms not strongly associated with masculine or feminine speech, than is seen in Japanese women's speech. [12] Some studies of conversation between Japanese men and women show neither gender taking a more dominant position in interaction.
Otokonoko (男の娘, "male daughter" or "male girl", also pronounced as otoko no musume) is a Japanese term for men who have a culturally feminine gender expression. [1] [2] This includes, among others, males with feminine appearances, or those cross-dressing.
Man'yōgana (万葉仮名, Japanese pronunciation: [maɰ̃joꜜːɡana] or [maɰ̃joːɡana]) is an ancient writing system that uses Chinese characters to represent the Japanese language. It was the first known kana system to be developed as a means to represent the Japanese language phonetically.
In business settings, young female employees are addressed as -kun by older males of senior status. It can be used by male teachers addressing their female students. [5] Kun can mean different things depending on gender. Kun for females is a more respectful honorific than -chan, implying childlike cuteness.
For example, The Tale of Genji and other early novels by female authors used hiragana extensively or exclusively. Even today, hiragana is felt to have a feminine quality. [25] Male authors came to write literature using hiragana. Hiragana was used for unofficial writing such as personal letters, while katakana and kanji were used for official ...
In modern Japanese, kare (彼) is the male and kanojo (彼女) the female third-person pronouns. Historically, kare was a word in the demonstrative paradigm (i.e., a system involving demonstrative prefixes, ko- , so- , a- (historical: ka- ), and do- ), used to point to an object that is physically far but psychologically near.
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Ikemen in Korean and Japanese dramas are showcased as having patience, gentleness, and the ability to self-sacrifice for the woman they love while being able to express a wide range of human emotion. These traits are seen as desirable, as Japanese culture finds clever, self-centered, and larger than life figures to be both intimidating and ...