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Liebestraum No. 3 in A-flat major is the most familiar of the three nocturnes and is in three sections, each divided by a fast cadenza requiring dexterous fingerwork and a high degree of technical ability. One melody is used throughout, and varied, notably near the middle of the nocturne, at a climax, where it is played in a series of octaves ...
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity [2] based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College ...
First measures of Chopin's Étude Op. 25, No. 2. (Urtext edition). Étude Op. 25, No. 2, in F minor, is an étude composed by Frédéric Chopin. It was marked 'Presto'. It was preceded by a relative major key. It is based on a polyrhythm, with pairs of eighth-note (quaver) triplets in the right hand against quarter-note (crotchet) triplets in ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
The compositions take the musical style of nocturnes [1] with each having its own distinctive style. [2] Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3] [4] There exist two versions of the Consolations.
The Scherzo No. 2 in B ♭ minor, Op. 31 is a scherzo by Frédéric Chopin. The work was composed and published between 1835 and 1837, [ 1 ] and was dedicated to Countess Adèle Fürstenstein. As pianist David Dubal has written, [ 2 ] Robert Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and ...
Secondary melody in Op 62 No 2 Agitato third theme of Op 62 No 2 Page 4 of Nocturne, op.62/2 (autograph manuscript) The Nocturne in E major is another reflective and contrapuntally engaging piece. The nocturne's thematic structure (A–B–C–A–B) consists of a slow primary theme in E major, followed by a more quickly moving secondary ...
Opening bars from Op. 48 No. 1. The Nocturne in C minor, Op. 48, No. 1 is initially marked lento and is in 4 4 meter. In general, the scheme of the music is ternary form and follows the structure A–B–A′. [3] The piece becomes poco più lento at measure 25 and enters its middle section, which is a chorale in C major.