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The "Moorish" garden structures built at Sheringham Park in Norfolk, ca. 1812, were an unusual touch at the time, a parallel to chinoiserie, as a dream vision of fanciful whimsy, not meant to be taken seriously; however, as early as 1826, Edward Blore used Islamic arches, domes of various size and shapes and other details of Near Eastern Islamic architecture to great effect in his design for ...
The term "Moorish" or "neo-Moorish" sometimes also covered an appropriation of motifs from a wider range of Islamic architecture. [19] [89] This style was a recurring choice for Jewish synagogue architecture of the era, where it was seen as an appropriate way to mark Judaism's non-European origins.
The houses of wealthy residents featured decoration typical of Moroccan architecture and medieval Moorish architecture, including carved and painted wood, carved stucco, and zellij (mosaic tilework). The center of larger houses could also be occupied by a riad garden ( Arabic : رياض ), particularly in places like Marrakesh where more space ...
It incorporated references to Spanish Renaissance, Spanish Colonial, Italian Renaissance, French Colonial, Beaux-Arts, Moorish architecture, and Venetian Gothic architecture. Peaking in popularity during the 1920s and 1930s, the movement drew heavily on the style of palaces and seaside villas and applied them to the rapidly expanding coastal ...
Alcazar of Seville: mostly rebuilt under Christian rule but in Moorish style, with the help of craftsmen from Granada [27] Walls of Seville; Buhaira Gardens: former Almohad palace and garden; Church of San Salvador: preserves traces of the former Mosque of Ibn Adabbas on this site, the first city's first great mosque [28] [27]: 21 Tarifa
These deliberate glazing effects are usually known as "crackle", with crackle[d] glaze or "crackle porcelain" being common terms. It is typically distinguished from crazing , which is accidental craquelure arising as a glaze defect , although in some cases, experts have difficulty in deciding whether milder effects are deliberate or not. [ 10 ]
Moresque is an obsolete alternative term to "Moorish" in English, and in the arts has some specific meanings. By itself, the word is used to describe the stylized plant-based forms of tendrils and leaves found in ornament and decoration in the applied arts in Renaissance Europe that are derived from the arabesque patterns of Islamic ornament .
A key style of the 1930s was the Moorish (Romanian: stilul Maur), aka Moorish-Florentine (Romanian: stilul mauro-florentin) or Mediterranean Picturesque (Romanian: stilul pitoresc mediteranean), which eclectically uses Romanesque, Gothic and Renaissance elements in civic architecture, with a