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A capo (/ ˈ k eɪ p oʊ ˌ k æ-ˌ k ɑː-/ KAY-poh, KAH-; short for capodastro, capo tasto or capotasto [ˌkapoˈtasto], Italian for "head of fretboard") [a] is a device a musician uses on the neck of a stringed (typically fretted) instrument to transpose and shorten the playable length of the strings—hence raising the pitch.
This is a list of transposing instruments and their transposition. Transposing instruments are instruments for which the convention is to write music notation transposed relative to concert pitch . Instrument family
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of ...
Chromatic transposition is scalar transposition within the chromatic scale, implying that every pitch in a collection of notes is shifted by the same number of semitones. For instance, transposing the pitches C 4 –E 4 –G 4 upward by four semitones, one obtains the pitches E 4 –G ♯ 4 –B 4.
Shubb capos remain a top-selling capo forty years after their invention. [2] Shubb wanted to create a capo that would not make his instrument go out of tune, which has resulted in ongoing efforts to refine his invention. [3] [4] Since 2016 at least 80% of Shubb's Capos are manufactured in China. [5]
A transposing piano is a special piano ... The harmonium sometimes features a mechanically shifted keyboard for transposition. A guitar capo has much the same effect ...
Guitarist and songwriter Harvey Reid is a prominent partial capo popularizer. He pioneered most of the known capo configurations, wrote books, and composed and recorded songs using partial capo. Reid published a book in 1980, A New Frontier in Guitar, detailing 25 ways to use a Third Hand Capo, at the time the only partial capo on the market. [2]
Da capo (lit. "From top") Tells the performer to repeat playing of the music from its beginning. This is usually followed by al fine (lit. "to the end"), which means to repeat to the word fine and stop, or al coda (lit. "to the tail"), which means repeat up to the coda sign and then jump forward into the coda. Dal segno (lit.