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The dress was an embroidered "Tudor-style" wedding dress with a high collar and "mediaeval" trumpet sleeves, [1] [5] with white silk chiffon under sleeves edged with pearls and other jewels. [6] Her veil was made of silk net embroidered with floral sprays, and her "something borrowed" was the Queen Mary Fringe tiara. [6]
The main body of the dress was made in ivory and white satin gazar, using UK fabrics which had been specially sourced by Sarah Burton, with a long, full skirt designed to echo an opening flower, with soft pleats which unfolded to the floor, forming a Victorian-style semi-bustle at the back, and finishing in a short train measuring just under ...
The Emanuels consulted Maureen Baker, who had made the first wedding dress of Princess Anne, during their construction of the gown. [6] One observer wrote "the dress was a crinoline , a symbol of sexuality and grandiosity, a meringue embroidered with pearls and sequins, its bodice frilled with lace". [ 2 ]
The final design of the dress was kept secret, although much speculation surrounded it. It was said the princess feared that if details were published fashion house copies would make it impossible for her to make last-minute design alterations. [11] The dress was taken to the palace a day before the wedding in a 4-foot (1.2 m) box.
The wedding dress of the American actress Grace Kelly, worn during her wedding to Rainier III, Prince of Monaco on 19 April 1956, is cited as one of the most elegant and best-remembered bridal gowns of all time, and one of the most famous since the mid 20th century. [1]
The wedding dress of Princess Victoria Mary of Teck is the gown worn by the future Queen Mary at her wedding to Prince George, Duke of York (King George V from 1910 to 1936) on 6 July 1893 at the Chapel Royal, St. James's Palace, in London.