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[4] [6] Subsequent art history, beginning with Pliny's chapters that gave common names to works such as by Praxiteles. [7] [8] The relatively small group of narrative religious subjects in Western medieval art were and are referred to by the standard names for an event shown, and used in theological and devotional literature. [5]
The following outline is provided as an overview of and topical guide to the history of painting: . History of painting – painting is the production of paintings, that is, the practice of applying paint, pigment, color or other medium to a surface (support base, such as paper, canvas, or a wall) with a brush, although other implements, such as knives, sponges, and airbrushes, can be used.
The history of Japanese painting is a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas. Korean painting, as an independent form, began around 108 B.C., around the fall of Gojoseon, making it one of the oldest in the world.
A portion of the history of painting in both Eastern and Western art is dominated by religious art. Examples of this kind of painting range from artwork depicting mythological figures on pottery , to Biblical scenes on the Sistine Chapel ceiling , to scenes from the life of Buddha (or other images of Eastern religious origin ).
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist , groups of artists or art movement . Ancient Classical art
In his De Pictura ("About Painting") of 1441, Alberti argued that multi-figure history painting was the noblest form of art, as being the most difficult, which required mastery of all the others, because it was a visual form of history, and because it had the greatest potential to move the viewer. He placed emphasis on the ability to depict the ...
Realistic, naturalistic art had dissembled the medium, using art to conceal art; modernism used art to call attention to art. The limitations that constitute the medium of painting—the flat surface, the shape of the support, the properties of the pigment—were treated by the Old Masters as negative factors that could be acknowledged only ...