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Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
A man playing the đàn nguyệt in a performance in Paris. The đàn nguyệt shown here with two strings. Chánh Già's đàn kìm. The đàn nguyệt ( Vietnamese pronunciation: [ɗǎn ŋwiə̂ˀt] "moon-shaped lute", Chữ Nôm: 彈月) also called nguyệt cầm (Chữ Hán: 月琴), đàn kìm, is a two-stringed Vietnamese traditional musical instrument. [1]
Vietnam portal The main articles for this category are Music of Vietnam and Musical instrument . Wikimedia Commons has media related to Musical instruments of Vietnam .
Bass Đàn môi. Dan moi and container. Derived from the mouth harp of the Hmong people, [1] Đàn môi (in Vietnamese: Đàn môi, "lip lute") is the Vietnamese name of a traditional musical instrument widely used in minority ethnic groups in Vietnam (including the Jrai "Rang Leh" [2]).
The đàn bầu (Vietnamese: [ɗàːn.ɓə̀w]; "gourd zither"; Chữ Nôm: 彈匏), also called độc huyền cầm (獨絃琴, "one-string zither"; the name is only used by the Jing ethnicity in China) is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither.
The girl on the far right is playing the đàn tỳ bà. The đàn tỳ bà or đàn tì bà (Vietnamese: [ɗàːn tì ɓàː], Chữ Nôm: 彈琵琶) is a Vietnamese traditional plucked string instrument derived from the Chinese pipa, [1] That first gained popularity in China before spreading throughout East Asia, eventually reaching Vietnam sometime during the Trần dynasty.
The traditional music of Vietnam has been heavily influenced by Chinese music, mainly in terms of musical instruments and performance styles. [3] The introduction of American music, particularly rock and roll and pop music, has influenced the development of modern Vietnamese music.
The Vietnamese 's đàn tranh came from the Chinese Chaozhou zheng. In the late 13th and early 14th centuries, the đàn tranh had 14 strings. [ 2 ] [ 3 ] Between the late 15th and the 18th centuries, the number of strings of the đàn tranh increased to fifteen and the instrument was called thập ngũ huyền cầm. [ 2 ]