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Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
Bharatanātyam is an Indian classical dance form that originated in Tamil Nadu, India. [1] [2] It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.
The following is a list of the Gurus of the Lucknow Gharana, beginning with the disciples of Ishwari Prasad: [2]. Wajid Ali Shah (1822 – 1887, Nawab of Oudh and patron of the arts)
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Krishna and Radha dancing the rasalila, a 19th-century painting, Rajasthan. The Raslila (Sanskrit: रासलीला, romanized: Rāsalīlā), [1] [2] also rendered the Rasalila or the Ras dance, is part of a traditional story described in Hindu texts such as the Bhagavata Purana and Gita Govinda, where Krishna dances with Radha and the gopis of Braj.
Kathakali (IAST: Kathakaḷi pronunciation ⓘ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Indian theatre. It is a play of verses. It is a play of verses. These Verses called Kathakali literature or Attakatha .
Mohiniattam (Indian classical dance from Kerala) Manipuri (Indian classical dance from Manipur) Matki Dance – Madhya Pradesh; Mardana Jhumar - Jharkhand; Margamkalli- dance form performed by the St. Thomas Christians community of Kerala
The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). [ 61 ] [ 62 ] These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra , Abhinaya Darpana ...