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A raw audio file is any file containing un-containerized and uncompressed audio. The data is stored as raw pulse-code modulation (PCM) values without any metadata header information (such as sampling rate , bit depth , endian , or number of channels).
The .ra format allows files to be stored in a self-contained fashion on a computer, with all of the audio data contained inside the file itself. .raw: A raw file can contain audio in any format but is usually used with PCM audio data. It is rarely used except for technical tests. .rf64: One successor to the Wav format, overcoming the 4GiB size ...
A lossless audio coding format reduces the total data needed to represent a sound but can be de-coded to its original, uncompressed form. A lossy audio coding format additionally reduces the bit resolution of the sound on top of compression, which results in far less data at the cost of irretrievably lost information.
FAAD2 – open-source decoder for Advanced Audio Coding. There is also FAAC, the same project's encoder, but it is proprietary (but still free of charge). libgsm – Lossy compression ; opencore-amr – Lossy compression (AMR and AMR-WB) liba52 – a free ATSC A/52 stream decoder (AC-3) libdca – a free DTS Coherent Acoustics decoder
Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary. FFmpeg; Pulse-density modulation ...
Digital audio compressed by FLAC's algorithm can typically be reduced to between 50 and 70 percent of its original size [4] and decompresses to an identical copy of the original audio data. FLAC is an open format with royalty-free licensing and a reference implementation which is free software.
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The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.