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Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
U2 3D was the first live-action film to be shot, posted, and exhibited entirely in 3D, [128] the first live-action digital 3D film, [129] and the first 3D concert film. [130] Regarding its production, it was the first 3D film shot using a zoom lens , [ 131 ] an aerial camera , [ 132 ] and a multiple-camera setup . [ 129 ]
Spartacus was a commercial success upon its release and became the highest-grossing film of 1960. In its first year from 304 dates (including 116 in 25 countries outside the US and Canada), it had grossed $17 million, [61] including nearly $1.5 million from over half a million admission in over a year at the DeMille Theatre. [62]
Beyond the Time Barrier is a 1960 American science fiction film. It was released in September 1960 on a double bill with The Angry Red Planet. [3] It starred Robert Clarke (who also served as producer) and directed by Edgar G. Ulmer. Ulmer's wife Shirley acted as a script editor while their daughter Arianne Arden appeared as a Russian pilot.
Similar to spy films, the heist or caper film included worldly settings and hi-tech gadgets, as in the original Ocean's Eleven (1960), Topkapi (1964) or The Thomas Crown Affair (1968). The spaghetti westerns (made in Italy and Spain), were typified by Clint Eastwood films, such as For a Few Dollars More (1965) or The Good, the Bad and the Ugly ...
In color film, this backing is "rem-jet", a black-pigmented, non-gelatin layer which is removed in the developing process. [32] Eastman Kodak manufactures film in 54-inch (1,372 mm) wide rolls. These rolls are then slit into various sizes (70 mm, 65 mm, 35 mm, 16 mm) as needed.
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...