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A drop-leaf table is a table that has a fixed section in the center and a hinged section (leaf) on either side that can be folded down (dropped). If the leaf is supported by a bracket when folded up, the table is simply a drop-leaf table; if the leaf is supported by legs that swing out from the center, it is known as a gateleg table. Depending ...
There are two main types of folding table. Those that have leaves that fold down such as a Pembroke table, drop-leaf table or gateleg table, and those that fold by having legs that bend on a hinge located at the connection point between the table top and the leg. The leg is designed to fold and fit securely against the underside of the table ...
Tables can be freestanding or designed for placement against a wall. Tables designed to be placed against a wall are known as pier tables [9] or console table s (French: console, "support bracket") and may be bracket-mounted (traditionally), like a shelf, or have legs, which sometimes imitate the look of a bracket-mounted table.
A gateleg table is a type of furniture first introduced in England in the 16th century. The table top has a fixed section and one or two hinged leaves, which, when not in use, fold down below the fixed section to hang vertically.
In the 18th and early 19th century, however, the term hutch or hutch table referred to a tabletop set onto a base in such a way that when the table was not in use, the top pivoted to a vertical position and became the back of a chair or wider settee; [1] [note 1] this was a very useful form at a time when many homes had a large room used for ...
Another popular type of small table was the Table de toilette, or dressing table. One particular variety, en coeur, or heart-shaped, was especially designed for men; it stood on three legs mounted on rollers, contained an assortment of drawers and small compartments, and featured a folding mirror on top. [17]
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With the death of Louis XV on May 10, 1774, his grandson Louis XVI became King of France at age twenty. The new king had little interest in the arts, but his wife, Marie-Antoinette, and her brothers-in-law, the Comte de Provence (the future Louis XVIII) and the Comte d'Artois (the future Charles X), were deeply interested in the arts, gave their protection to artists, and ordered large amounts ...