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Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia . [ 1 ]
Shu (書) refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioner's poetic nature, as well as a significant test of manual dexterity. Chinese calligraphy has evolved for thousands of years, and ...
Chinese calligraphy of mixed styles by Song poet Mi Fu (1051–1107) Calligraphy was traditionally one of the four arts to be mastered by Chinese scholars, considered to be an artful means of expressing thoughts and teachings. Chinese calligraphy typically makes use of an ink brush to write characters.
The Thousand Character Classic (Chinese: 千字文; pinyin: Qiānzì wén), also known as the Thousand Character Text, is a Chinese poem that has been used as a primer for teaching Chinese characters to children from the sixth century onward. It contains exactly one thousand characters, each used only once, arranged into 250 lines of four ...
Munjado is a Korean decorative style of rendering Chinese characters in which brush strokes are replaced with representational paintings that provide commentary on the meaning. [2] The characters thus rendered are traditionally those for the eight Confucian virtues of humility, honor, duty, propriety, trust, loyalty, brotherly love, and filial ...
Double Happiness is a ligature, "囍" composed of 喜喜 – two copies of the Chinese character 喜 (xǐ ⓘ) literally meaning joy, compressed to assume the square shape of a standard Chinese character (much as a real character may consist of two parts), and is pronounced simply as xǐ or as a polysyllabic Chinese character, being read as 双喜 (shuāngxǐ).
The Xuanhe Calligraphy Manual (宣和書譜) credits Wang Cizhong with creating the regular script, based on the clerical script of the early Han dynasty (202 BCE – 220 CE). It became popular during the Eastern Han and Three Kingdoms periods, [ 2 ] with Zhong Yao ( c. 151 – 230 CE), [ 3 ] a calligrapher in the state of Cao Wei (220–266 ...
He was a celebrated painter and calligrapher, known for his mastery of the "slender gold" (瘦金体, shou jinti) style of calligraphy. [5] His personal seal “亓” "" (天下一人, tianxia yiren), is arguably the most famous monogram in Chinese history. Despite his talents, Emperor Huizong's later years were marred by his favoritism ...