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16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about 2⁄3 inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or ...
The mid-1930s saw the beginning of a line of magazine-loading cameras, the Magazine Ciné-Kodaks, made initially in Kodak's Nagel Works in Germany. The 16mm Ciné-Kodaks were well-made, long-lived cameras. Most have double claws and double sprockets and hence require double perf (2R) film in unmodified form.
The Kodak Cine Special 16mm Cameras (CKS) are a family of precision, versatile, spring-wound 16mm silent movie cameras produced by Eastman Kodak from the 1930s to the 1960s, and intended for advanced consumers and industry professionals. While its rectangular format was typical of earlier Kodak 16 mm cameras (such as Cine-Kodak, Kodak Models B ...
Minolta 16 P, 1960. Minolta 16 refers to a line of 16mm subminiature cameras made by Minolta between 1955 and 1974. The negative size was 10x14 mm for the earlier models, later, a larger format, 12x17 mm was adopted, using single-perforated 16 mm film. It was possible for the user to load cassettes, and also develop the film using a special ...
Auricon. Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder.
The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. 'SR' Stands for Silent Reflex. In 1982, Arri released the 16SR2, for improved function over the previous version, e.g. lower operational noise level.