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VOCALOOP was originally planned by Shota Kagami [1] who was one of the inventors of Vocaloid Keyboard, [2] also uses NSX-1 chip "eVY1", a LSI sound generator developed by Yamaha.
The first dedicated loop device was the Paradis LOOP Delay. [6] The Paradis and other models had volatile memories, forcing composers to develop fresh loops live in front of their audiences — and thus, live looping came into existence. Roland and DigiTech loop pedals entered the market in 2001, around the same time DJ mixing gained popularity ...
In March 2008, Ameya/Ayame released UTAU, a free, advanced support tool shareware software that was downloadable from its main website. UTAU (歌う), literally meaning 'to sing' in Japanese, has its origin in the activity of "Jinriki Bōkaroido" (人力ボーカロイド, Manual Vocaloid), where people edit an existing vocal track, extract phonemes, adjust pitch, and reassemble them to create ...
Stephen Hawking (1942–2018), astrophysicist and prominent SGD user. Speech-generating devices (SGDs), also known as voice output communication aids, are electronic augmentative and alternative communication (AAC) systems used to supplement or replace speech or writing for individuals with severe speech impairments, enabling them to verbally communicate. [1]
When mixing a song, its vocal track was routed from the recording head of the multitrack tape, located before the playback head, and fed to the record head of the second tape recorder. An oscillator was used to vary the speed of the second machine, providing variation in delay and pitch depending on the change in the second machine speed.
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Cantor was not based on singing samples, and its results were reproduced by a morphing additive synthesis engine derived from VirSyn's Cube software synthesizer. It is used to generate the 39 phonemes that VirSyn used to reproduce English speech or singing. Each phoneme is created by passing an additive sound source through a formant filter ...
Overdubbing (also known as layering) [1] is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. [2]