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Such singings are common in Georgia, North Carolina, Tennessee, Mississippi, and Alabama, and generally preserve the singing school custom of "singing the notes". The seven-shape (Aikin) system is commonly used by the Mennonites and Brethren. Numerous songbooks are printed in shaped notes for this market.
Showalter was trained in the Ruebush-Kieffer School of Music and was teaching in shape note singing schools by age fourteen. In 1884, he formed the Showalter Music Company of Dalton, Georgia. He was also an elder of the First Presbyterian Church in Dalton.
Often the music taught in singing schools uses shape note or "buckwheat" notation, in which the notes are assigned particular shapes to indicate their pitch. There are two main varieties: the four-note, or fasola , system used in Sacred Harp music, and the seven-note system developed by Jesse B. Aikin used in southern gospel music.
They included both music and text and were introduced by an extended essay on the rudiments of singing. Each song was known by the name given to its tune rather than by a title drawn from the text." [1] The following is a partial list of the shape note tunebooks published over the last two centuries. The list is divided according to the two ...
The Stamps-Baxter Music Company was an influential publishing company in the shape note Southern gospel music field. The company issued several paperback publications each year with cheap binding and printed on cheap paper. Thus, the older books are now in delicate condition.
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.