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Scheherazade, also commonly Sheherazade (Russian: Шехеразада, romanized: Shekherazada, IPA: [ʂɨxʲɪrɐˈzadə]), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). [1]
The following night Scheherazade finished the story and then began a second, more exciting tale, which she again stopped halfway through at dawn. Again, the king spared her life for one more day so that she could finish the second story. Thus the king kept Scheherazade alive day by day, as he eagerly anticipated the conclusion of each previous ...
Rimsky-Korsakov, a midshipman in the Imperial Russian Navy, secretly yearns to be a composer, but naval regulations prevent him from doing so. He uses a stopover in Tangiers to work on his next composition, Scheherazade (which is actually a symphonic suite but in the film is a ballet), with the tacit support of his captain. There he meets Cara ...
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The exoticism of the Arabian Nights continued to interest Ravel. In the early years of the 20th century he met the poet Tristan Klingsor, [6] who had recently published a collection of free-verse poems under the title Shéhérazade, inspired by Rimsky-Korsakov's symphonic suite of the same name, a work that Ravel also much admired. [7]
The first part is prefaced by two verses from Psalm 68:1–2; the second from the Gospel of Mark 16:1–6; and a third by a description of the Easter celebration written by the composer. The melodies in the overture are largely from the Russian Orthodox liturgy, based on a collection of old Russian Orthodox liturgical chants called the Obikhod.
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Nadezhda Nikolayevna Rimskaya-Korsakova. Nadezhda Nikolayevna Rimskaya-Korsakova (Russian: Надежда Николаевна Римская-Корсакова, IPA: [nɐˈdʲeʐdə nʲɪkɐˈlajɪvnə ˈrʲimskəjə ˈkorsəkəvə] ⓘ; née Purgold; October 19 [O.S. October 31] 1848 – May 24, 1919) was a Russian pianist and composer as well as the wife of composer Nikolai Rimsky-Korsakov.