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Highest calendar gross films of 1990 in the United States [56]; Rank Title Studio(s) Actor(s) Director(s) Gross 1. Ghost: Paramount Pictures: Patrick Swayze, Demi Moore, Whoopi Goldberg and Tony Goldwyn
Highest-grossing films of 1990 Rank Title Distributor Worldwide gross 1 Ghost: Paramount: $505,702,588 2 Home Alone: 20th Century Fox: $476,684,675 3 Pretty Woman
Highest-grossing films of 1990 Rank Title Distributor Domestic gross 1 Home Alone: 20th Century Fox: $285,761,243 2 Ghost: Paramount: $217,631,306 3 Dances with Wolves: Orion: $184,208,848 4 Pretty Woman: Walt Disney Studios Motion Pictures: $178,406,268 5 Teenage Mutant Ninja Turtles: New Line: $135,265,915 6 The Hunt for Red October ...
Steven Spielberg has directed a record four films to end the year as the highest-grossing in the U.S. This is a listing of the highest-grossing films by year, based on their United States box-office gross. The films are listed by in-year release, rather than the gross they accumulated during a calendar year. [1]
The decade of the 1990s in film involved many significant developments in the industry of cinema. [1] Numerous feature-length movies were specifically filmed and/or edited to be displayed not only on theater screens but also the smaller TV screens, like showing more close-ups and less wide shots during dialogue scenes .
The list is limited to films that are potentially among the top one hundred box-office losses, adjusted for inflation (approximately upper-bound losses of $100 million or higher as of 2023). † Background shading indicates films playing in the week commencing 3 January 2025 in theaters around the world .
(Top) 1 Lists. 2 See also. Toggle the table of contents ... 1990 Australia ... Lists of highest-grossing films; List of films with the most weekends at number one
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...