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Artwork for the cover of Teenage Mutant Ninja Turtles Book 2 3 vol. 10, June 1986. With the prototype of April O'Neil. (third print). In the original Mirage Comics storyline for Teenage Mutant Ninja Turtles, April O'Neil was a skilled computer programmer and assistant to a famous yet nefarious scientist, Baxter Stockman. She helped program his ...
The fourth season of Teenage Mutant Ninja Turtles is split into two main sub-sections that aired concurrently: thirteen episodes which aired daily in syndication, and twenty-six episodes that premiered in hour-long double-bills on Saturday Mornings on CBS. Additionally, a two-part "Easter special" aired in syndication the following Spring.
In the episodes, the Turtles visit the surface world in New York City for the first time since being mutated, and witness the Kraang kidnap April O'Neil and her father, Kirby. The Turtles attempt to rescue the O'Neils, while learning of the mutagen possessed by the Kraang which could hold many secrets relating to their mutations.
Teenage Mutant Ninja Turtles, commonly abbreviated as TMNT, is a media franchise created by the comic book artists Kevin Eastman and Peter Laird. It follows Leonardo, Donatello, Raphael and Michelangelo, four anthropomorphic turtle brothers trained in ninjutsu who fight evil in New York City. The franchise encompasses printed media, television ...
9. Teenage Mutant Ninja Turtles III (1993). Although the original live-action series reigns supreme, the third and final entry was a struggle. In Teenage Mutant Ninja Turtles III (1993), April is ...
The story starts with the turtles (Leonardo, Raphael, Donatello and Michelangelo) leaving their lair for the first time, and they immediately come into conflict with the Kraang, an alien race who are kidnapping April O'Neil and her father Kirby, with Donatello developing a crush on the former, they are unable to stop the Kraang.
Not all Turtles are created equal, so we ranked every single one of them.
By 1986, the Teenage Mutant Ninja Turtles comic series by Kevin Eastman and Peter Laird had experienced two years of success. At that time, New York-based licensing agent Mark Freedman – who had previously handled Hanna-Barbera 's library of characters and was establishing his own licensing company – was contacted by a connection in the toy ...