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Because poetry in Japan was often written for utaawase, or poetry competitions, a “good” poem was not merely one that expressed emotions in a unique and beautiful way. Rather, poets were judged on their mastery of using their knowledge of existing poems and the way in which they placed honkadori and other poetic tropes into their poems.
"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend. [1] It was first published in the 1831 collection Poems of Edgar A. Poe. It was subsequently reprinted in the March 1836 issue of the Southern Literary Messenger.
Utamakura is a category of poetic words, often involving place names, that allow for greater allusions and intertextuality across Japanese poems.. Utamakura enables poets to express ideas and themes concisely—thus allowing them to stay in the confines of strict waka structures.
The title of Patrick Kavanagh's poem "On Looking into E. V. Rieu's Homer", about E. V. Rieu's Homer translations, is an allusion on the title of Keats's poem. In Saki 's story "The Talking-out of Tarrington", a character is greeted with a " 'silent-upon-a-peak-in-Darien' stare which denoted an absence of all previous acquaintance with the ...
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.
In poetry, humans may be metaphorically alluded to by implicitly comparative reference to other simians: this is generally a pejorative allusion. The popular nature poetry genre often invokes images which idealize humans existing in their natural habitat versus the defects inherent in various artificial environments which humans are known to ...
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [a] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
There followed a second reading on April 24, when, in his diaries, Maiorescu recorded the "beautiful legend" simply as Luceafărul. [10] Maiorescu endorsed the work and promoted it with public readings in both Bucharest and Buftea, lasting into January 1883, and attended by Eminescu, Petre P. Carp, Alexandru B. Știrbei, and Ioan Slavici. [11]