Search results
Results From The WOW.Com Content Network
"I Wandered Lonely as a Cloud" (also sometimes called "Daffodils" [2]) is a lyric poem by William Wordsworth. [3] It is one of his most popular, and was inspired by an encounter on 15 April 1802 during a walk with his younger sister Dorothy , when they saw a "long belt" of daffodils on the shore of Ullswater in the English Lake District . [ 4 ]
Narcissus poeticus, the poet's daffodil, poet's narcissus, nargis, pheasant's eye, findern flower or pinkster lily, was one of the first daffodils to be cultivated, and is frequently identified as the narcissus of ancient times (although Narcissus tazetta and Narcissus jonquilla have also been considered as possibilities).
In western European culture narcissi and daffodils are among the most celebrated flowers in English literature, from Gower to Day-Lewis, while the best known poem is probably that of Wordsworth. The daffodil is the national flower of Wales, associated with St. David's Day. In the visual arts, narcissi are depicted in three different contexts ...
"The Solitary Reaper" is a lyric poem by English Romantic poet William Wordsworth, and one of his best-known works. [1] The poem was inspired by his and his sister Dorothy's stay at the village of Strathyre in the parish of Balquhidder in Scotland in September 1803.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Title Page of a 1916 US edition. A Child's Garden of Verses is an 1885 volume of 64 poems for children by the Scottish author Robert Louis Stevenson.It has been reprinted many times, often in illustrated versions, and is considered to be one of the most influential children's works of the 19th century. [2]
Recitation of a Roman woman, painting by Lawrence Alma-Tadema. Recitationes were a literary practice of ancient Rome that involved one or more public readings (recitatio, pl recitationes) of a text. Some of these occurred in public places (theaters and baths), and even in the Roman Forum.
In his 1963 Critical Biography of Davies, Richard J. Stonesifer traces the origins of the poem back to the sonnet "The World Is Too Much With Us" by William Wordsworth, saying: