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Wikisource has original text related to this article: End Poem (full text) The end credits of the video game Minecraft include a written work by the Irish writer Julian Gough, conventionally called the End Poem, which is the only narrative text in the mostly unstructured sandbox game. Minecraft's creator Markus "Notch" Persson did not have an ending to the game up until a month before launch ...
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A totem (from Ojibwe: ᑑᑌᒼ or ᑑᑌᒻ doodem) is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system.
[21] Carl Sandburg Home: North Carolina: 268.49 acres (1.0865 km 2) Carl Sandburg Home National Historic Site is located in the village of Flat Rock, North Carolina, and preserves Connemara, the home of Pulitzer Prize-winning poet and writer Carl Sandburg. Sandburg and his family moved here in 1945 for the peace and solitude needed for his ...
Ganon was introduced as the main antagonist of the original The Legend of Zelda in the form of a blue boar and his role and appearance has since evolved over time. [21] Over the course of the series, he has generally appeared in two forms: Ganon, a monstrous, demonic pig-like form, and Ganondorf, a humanoid Gerudo form first introduced in ...
Open TLD; any person or entity is permitted to register; however, registrants who are "producers, transformers and retailers, or otherwise involved in the field of agriculture, food and farming" must comply with the Principles of Organic Agriculture. [21] [22] Identity Digital [23] Unknown: Yes .biz: business
Their ecological dominance has been examined primarily using estimates of their biomass: myrmecologist E. O. Wilson had estimated in 2009 that at any one time the total number of ants was between one and ten quadrillion (short scale) (i.e., between 10 15 and 10 16) and using this estimate he had suggested that the total biomass of all the ants ...
Further, the temple explores a number of structures and shrines in 1:1, 1:2, 1:3, 2:5, 3:5 and 4:5 ratios. These ratios are exact, suggesting that the architect intended to use these harmonic ratios, and the rectangle pattern was not a mistake, nor an arbitrary approximation.