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Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660. Hollywood, CA: Quite Specific Media Group, 2008, ISBN 0896762629. Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Ashelford, Jane.
Duchess Katharina von Mecklenburg wears a front-laced gown in the German fashion, with broad bands of contrasting materials, tight sleeves, and slashes at the elbow, 1514. Three ladies in German fashion of 1525–30. Baretts with upturned slashed brims are worn over cauls, and sleeves are variously puffed, pieced, and slashed, with short wide ...
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
Bowler, also coke hat, billycock, boxer, bun hat, derby; Busby; Bycocket – a hat with a wide brim that is turned up in the back and pointed in the front; Cabbage-tree hat – a hat woven from leaves of the cabbage tree; Capotain (and women) – a tall conical hat, 17th century, usually black – also, copotain, copatain; Caubeen – Irish hat
Intermediate helmet ("close burgonet") with the peak, crest and falling buffe of the burgonet, combined with the hinged bevor of a close helmet.. The burgonet helmet is characterised by a skull with a large fixed or hinged peak projecting above the face-opening, and usually an integral, keel-like, crest or comb running from front to rear.
The chaperon was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late-15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting , but its complicated construction is often misunderstood.
Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that would reign for the next century and a half.