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Psalm 112 is the 112th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD.Blessed is the man that feareth the LORD". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 111.
Bruckner's Psalm 112 in B-flat major is a composition scored for SSAATTBB choir and orchestra (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani and strings). [6] The setting of the work is in four parts: "Alleluja! Lobet den Herrn" - Bars 1-70 "Wer ist wie der Herr, unser Gott?" - Bars 71-142
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Beatus Vir (Gorecki), Opus 38, subtitled Psalm for baritone, large mixed chorus and grand orchestra, is a setting of texts from various psalms by Henryk Górecki from 1979, commissioned by Pope John Paul II. [22] Neither Psalm 1 nor 112 are used, and the title comes from part of Psalm 33.
The modern Vietnamese alphabet chữ Quốc ngữ was created by Portuguese and Italian Jesuit missionaries and institutionalized by Alexandre de Rhodes with the first printing of Catholic texts in Vietnamese in 1651, but not the Bible.
[2] In 2011, he started his music career under the producer Tatsuro Mashiko, who is a composer. In 2014, Kishi left LDH. On 1 December 2016, he announced that he is represented with Yōdō from K-Dash. [3] [non-primary source needed] In 2017, Kishi joined the cast of Uchu Sentai Kyuranger, playing Stinger / Sasori Orange. He also starred in the ...
Psalm 114, WAB 36, is a setting in G major of verses 1 to 9 of a German version of Psalm 116 [1] for five-part mixed choir and three trombones, composed in 1852 for the name day of Ignaz Assmayr. [2] [3] Psalm 22, WAB 34, is a setting in E-flat major of a German version of Psalm 23 [1] for mixed choir, soloists and piano, composed in c. 1852 ...
Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...